If the last few weeks of anxiety-inducing Brexit mayhem has taught us anything, it's that every MP definitely still has the power to make a difference.
But of course, it helps if they're equipped with all the knowledge they need to try to push society forward.
It's for this reason that Tracy King, a London-based consultant, writer and producer, has launched a crowdfunding campaign to send all 650 MPs a copy of Invisible Women by award-winning feminist campaigner Caroline Criado-Perez.
According to its blurb, the recently published book "exposes the gender data gap – a gap in our knowledge that is at the root of perpetual, systemic discrimination against women, and that has created a pervasive but invisible bias with a profound effect on women’s lives".
Criado-Perez writes in her book about invisible inequalities caused by what she calls the "male default". For example, women in Britain are 50% more likely to be misdiagnosed following a heart attack because heart failure trials tend to use male participants.
Similarly, because cars are designed around the body of a "reference man", women involved in vehicle collisions are nearly 50% more likely to be seriously injured.
As promised, I'm crowdfunding to send a copy of Invisible Women to every MP. Change in law, policy and regulation comes from the top, help me educate those in power about the gender data gap: https://t.co/RkxqcHXuQF via @gofundme
"In order for change to happen, our elected leaders must be educated about the gender gap," King writes on her GoFund Me page.
"That's why I'm crowdfunding to send a copy of Invisible Women to every Member of Parliament, starting with those who sit on relevant committees and oversee the laws and regulations that affect women. Sure, MPs could buy their own copy of the book, but most won't, and the exposure and pressure this campaign will bring helps to ensure they read it. If women make enough noise, they can't ignore us."
At the time of writing, King has raised £3,638 of her £6,750 goal. Waterstones have generously agreed to sell her copies of Invisible Women for half price, and King says that if she exceeds her target, she'll also send copies to other key decision-makers such as industry leaders. You can find out more about her campaign on the GoFund Me page.
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There are music festivals, and then there's Glastonbury. You might prefer a low-key city-based festival like London's Lovebox or Manchester's Parklife to the five days of mud and hedonism that Glastonbury brings, but there's no denying it's the most iconic UK music festival of all. For some people, it's a rite-of-passage; for others, it becomes an annual pilgrimage.
Because of its elevated status, Glastonbury's line-up and trio of headline acts (one for the Friday, Saturday and Sunday of the festival) are always a major talking point. This year's event features a 42 percent female line-up, many of them absolute queens, but no female headliners.
Then again, this shouldn't come as too much of a surprise: Glastonbury has booked just three female headline acts (Beyoncé, Adele and Florence and the Machine) in its last 10 years.
After the 2019 line-up was announced, Janet Jackson edited the official poster to move herself from fifth billing to the top spot – a true boss move.
Here is the first Glastonbury Festival 2019 line-up poster, which includes our final two Pyramid Stage headliners: @TheKillers (Saturday) and @TheCure (Sunday). Many more acts and attractions still to be announced. pic.twitter.com/jYOoTQQurf
Speaking to Annie Mac at an AMP London panel event in London yesterday, Glastonbury's co-organiser Emily Eavis – who runs the festival with her father Michael Eavis, its founder – spoke candidly about the prevailing gender bias in the booking world.
"Some of them are just a bit old guard. It's a lot of old guys running things, the old bookers," she said in front of outlets including NME.
"They love a beer with the guys, the agents. They do golf days, they do football trips, and there's a whole brotherhood which is so tight. It's impenetrable. It feels like it. I'm like, 'Come on'."
Continuing, Eavis admitted that she's been labelled "a real hassle" because she consistently encourages the "old guard" to book more female acts.
"The thing about the men who book (our) stages, quite a lot of them are old men. They don't understand why I am pushing them the whole time," she said.
"When one of them presented a line-up this year, they were like, 'Right, I'm done, this is it.' And I was just like, 'I'm really sorry but you're just going to have to take some of those blokes off. Where are the women?"
Summing up the current situation frankly, Eavis added: "We are nowhere near where we need to be. We’re making slow progress, but there’s a long way to go.”
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Demi Lovato is not here for body shaming headlines, and frankly, neither are we. In a headline earlier this week, a news outlet referred to Lovato’s “fuller figure” in a headline and it didn’t sit well with the singer.
"I AM MORE THAN MY WEIGHT," she wrote on Instagram stories, sharing a screenshot of the article and even tagging the Inquisitr writer, Fabio Magnocavallo.
Lovato, who has been diagnosed with an eating disorder in the past, went on to talk about how triggering posts like this can be. "I'm angry that people think it's okay to write headlines about people's body shapes," she said, according to screenshots obtained by Teen Vogue. "Especially about a woman who has been so open about being in recovery from an eating disorder. I am not upset for myself but for anyone easily influenced by this diet culture."
She went on to mention how “articles like this only contribute to that toxic way of thinking,” and offered some advice to her followers: "If you're reading this: Don't listen to negative diet culture talk. You are more than a number on a scale. And I am more than a headline about my body shape."
The exchange ended in a teachable moment when the writer reached out to Lovato to apologise. Based on the screenshots Lovato shared we can’t see Magnocavallo’s initial apology, but he followed up with, "You're an incredible talent and you're right, your body is not all you are," he continued, "This is a lesson learnt."
Lovato, being the queen that she is, responded with even more love and respect. “Thank you,” she replied. “I really respect you for the way you are receiving this message...my intention wasn’t to hurt you either, just to get your attention. I’m sorry if this woke you. Thank you for being so understanding.”
In an effort to be transparent, the Inquisitr did not change their story but did add this author’s note: “Firstly, a sincere ‘Thank you’ to Demi Lovato for her grace and patience in our exchange. While I wrote this story with the best of intentions, I totally appreciate and understand her perspective on the matter and culture in general and I truly appreciate her taking the time to have a dialogue with me about it. As Demi said to me, ‘our voices are all we have to create the biggest change on this planet.’”
It is not the first time Lovato has spoken up about triggering content on the internet. Back in January, she called out a fat-shaming video game for their advertisement featuring two women side by side with captions reading "obese" and "pretty."
"Why is this fat-shaming bullshit on my feed? So many things wrong with this," Lovato wrote on the story. "This is absolutely harmful to anyone who is easily influenced by societal pressures put on us from the diet culture to constantly be losing weight in a world that teaches us to equate our value and worth with the way we look," she continued. "And especially anyone in recovery from an eating disorder."
If you are struggling with an eating disorder and are in need of support, please contact Beat, the UK's eating discarder charity, or call the helpline on 0808 801 0677
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If anyone knows how to ace flawless makeup, it's Cardi B's makeup artist. In a world where a lot of us are ditching foundation for a quick swipe of tinted moisturiser or simply giving our lashes a once-over with clear mascara, Erika La Pearl leans towards sharp contours,cut creases, velvet lips and perfectly defined eyebrows – and the results are nothing short of Instagram-worthy. Here's everything we learned about applying eyeshadow, contouring correctly and filling in brows from the pro herself.
How to contour like a professional
Whether you use cream or powder, it's difficult to strike the balance between a contour that lifts and sculpts cheeks and one that just drags your features down. After all, blending requires skill. But according to Erika, one simple trick will ensure a perfect finish every time. "For easiest application, simply smile," exactly like you might when applying blush to the apples of your cheeks. This will ensure you're depositing the bronzer in exactly the right place.
And always start high. "Apply your contour from the hairline next to the brows, right down to the bottom of your cheek," adds Erika. The trick is not to bring the bronzer past your nostrils, as it'll elongate instead of lift. Erika rates ICONIC London's Strobing Stick, £24.99, and Multi-Use Powder Contour Palette, £32.99, for those who prefer powder over cream-based makeup.
"Powder contours will ensure your makeup stays put," adds Erika. "Don't forget to apply the contour shades in hollows of cheeks, below hairline, and along the jawline to create definition. Dust the lighter shades on the top of the cheekbones, Cupid's bow and brow bone."
A lot of us spend a fortune on the fluffiest, plushest makeup brushes, but hardly any makeup artists actually use them when it comes to perfecting both a base and eye makeup. "I use the tips of my fingers to apply eyeshadow," Erika told R29. "I just find it better than using a brush." Not only do your fingers allow for more precise, controlled application, especially in the corners, but it means you can really pack on the colour. Erika rates Morphe's The James Charles Artistry Palette, £39.
Erika isn't the only pro to eschew tools; both Mary Greenwell and Val Garland are advocates of using their fingertips to apply things like eyeshadow and foundation. "Sometimes, makeup sponges absorb too much product and that’s a waste," Val previously told R29. "I get why some people don’t like brushes because you can often see the residue." Just make sure your hands are clean and be super gentle, especially around the eyes, so as not to tug at your skin. Erika adds: "When I go for a brightly coloured eye, I like to go with a nude lip so Cardi's eyes can pop. I love Fenty Beauty’s Stunna Lip Paint in Unveil, £19."
Two shades are better than one when it comes to filling in brows
Erika advises steering clear of single, super dark shades when defining eyebrows. They can make them look too harsh and blocky. Instead, go for the multi-tonal effect. "Enlisting two-tone products – my go-to is ICONIC London's Brow Cushion, £26.99 – makes eyebrows look more natural. Use a double-sided applicator that has a spoolie at one end and an ultra-thin angled brush on the other." Using quick, short strokes, apply the lighter shade at the start of the brow and bring this to the centre, as this is where hairs are naturally more sparse. Then apply the slightly darker hue from the middle to the end of your brows. Brush through with the spoolie to soften the strokes as you go.
The summer after my parents split up, my mum decided we needed a holiday. Off we went to the seaside, the four of us – my little brother and sister, Mum and me – bundled into our rickety Austin Metro, navigating the M3 and the unfamiliar landscape of our family without Dad.
It was a week of firsts: the first time we stayed in a caravan; the first time I got sunburned; the first time my mum drove us on the motorway. For a woman who passed her driving test on the fifth attempt, this was A Big Deal and as the eldest child I was appointed navigator and duly promoted to the front passenger seat. We must have made quite the picture: Mum clutching the steering wheel for dear life as I, barely visible above the dashboard, strained to make sense of junctions and dual carriageways, determined to prove that we could do this, the four of us: little brother and sister, Mum and me.
My memories of that holiday have faded now but I remember arriving at the coast; it felt like conquering Everest. Whatever happened in the months and years to come, we'd taken on this challenge – and smashed it. We were a team.
This week on Refinery29 we've been celebrating single mums. Today is Mother's Day and so to round things off we're handing the mic to their daughters. Ahead you'll hear from a handful of the many young women who grew up (are still growing up) in their mother's more than capable hands – and are doing splendidly for it, thank you very much. No one's pretending that single parenthood is all sunshine and roses but as these women will attest, the relationship between a single mum and her daughter can be pretty damn special. Tissues at the ready...
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We’re benefiting from a go-getting moon this week as the sun highlights Aries. If you’re inspired to take on the world this week, don’t hold back. Sunday’s waning moon in Aquarius lasts until 11.01pm, helping us to think about new ways to wrap up old projects. Don’t overexert yourself, as she goes void-of-course until 10.48am on Monday, entering deep-feeling Pisces. Meanwhile, chatty Mercury conjuncts intuitive Neptune on Tuesday, connecting us to our spiritual needs. Our collective emotional intelligence will improve across the board. Use this time to get through deeper issues or build strong friendships. The moon wanes into Pisces on Wednesday, going void-of-course again until 10.56pm when she enters action-minded Aries. The waning-to-new moon in this sign can feel frustrating, like you’ve got too many ideas but no way to act. Take time to strategise — you’ll be saving a great deal of time and energy. Our new moon arrives in Aries at 4.50am, lighting a fire from within. Collect that passion for getting started on projects that are close to your heart. The moon waxes in financial-minded Taurus on Saturday, giving you the stamina you need to see them through.
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Mother's Day isn't a joyous occasion for everyone. There are many reasons why people might want to avoid the whole shebang as much as possible: if they've lost their mother, for example, or if they have a strained or estranged relationship with their parents.
Other people never get to know their mothers, and some suffer the tragedy of becoming a mother and losing a child.
For many of these people, seeing all the cards and flowers and general bonhomie of Mother's Day can act as a trigger.
Because of this, staying away from social media on Mother's Day can definitely be a good move. But this week, MP Matt Warman has suggested another way of reducing the risk of Mother's Day becoming a trigger.
Warman, who lost his mother in 2009 when he was 27 years old, told the House of Commons that Mother's Day promotional emails sent by brands can act as "a reminder of what you have lost".
He praised online florist Bloom and Wild for giving customers the chance to "opt out" of emails connected to Mother's Day simply by clicking on a link that was sent out well in advance.
Can we just talk about how fantastic @BloomandWild are at customer satisfaction? This email is so thoughtful - I don’t know of any brand that does this. I’ll always buy my flowers from them for this reason! ♥️♥️♥️ pic.twitter.com/w6S0AEoEmy
"If other companies were to follow suit, then the dread, and I do mean the dread, around this day might be mitigated for many people," Warman told the house, according to the BBC.
"I could be a part of something that an organisation like the Advertising Standards Authority could make part of a voluntary code around data. I'm not a Tory asking for some enormous nanny state, but I'm saying another tick box when you sign up for yet more emails would be kind."
Bloom and Wild's Mother's Day email policy has also been praised by people online. "As someone who lost their Mum and Nanna, this is amazing. I know many people celebrate but it’s not always nice getting constant reminders,” one woman wrote on Twitter.
Another tweeted: "Have you seen what Bloom and Wild have done? It’s incredible! Sent around asking people if they wanted to taken out of the Mother’s Day send lists last month so it wouldn’t bring hurt to people with the barrage of marketing now. Amazing stuff."
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Ever since my first job at MTV working as a music programmer, I can't stop trying to match people with music they might like. So, I wrote a book calledRecord Collecting for Girlsand started interviewing musicians. The Music Concierge is a column where I share music I'm listening to that you might enjoy, with a little context. Get everything I've recommended this year on Spotify, follow me on Twitter or Facebook, and leave a comment below telling me what you're listening to this week.
Saweetie feat. Quavo "Emotional"
The tides — er, or charts — and turning and we're seeing a surge of women on the rap charts. Saweetie is one of those rising stars and one listen to "Emotional" is all it takes to hear why. She's part Bey influences, with production dripping less in ice and more in a compilation of hip hop trends over the last three decades that make the track feel familiar on first listen.
Phoebe Green "Dreaming Of"
This is a different kind of girl power anthem, all about celebrating shaking off the shackles of what people project on to you and being your true, authentic self. Green hits on feelings we've all had when people decide things about us that are incongruent with how we see ourselves and she's singing about it on top of a very British indie rock sound.
Combo Chimbita "Esto Es Real (8100mg)"
Put away your Ariana Grande streams because this is a bop and a half. The way the drums are produced on this track, especially the snare, is what caught my attention (and made me want to dance). But as it goes one, it becomes clear there's something magical here. This NYC by way of Colombia band is quite a charismatic, engaging trip.
Maddie Poppe "Made You Miss"
If you, like me, were obsessed with Carrie Underwood's "Before He Cheats" when it dropped then this song is for you. There's a country crossover vibe to Maddie Poppe that's down to her lilting accent and some killer pop production. It's a song for those dudes who hit you with the "u up?" text or mysteriously ghost after four dates and hit you up six months later. Gloat for a minute and then just block 'em.
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White suits are truly having a moment this year and Beyoncé is getting in on the action.
On Saturday night Queen Bey took home the NAACP Image Award for Entertainer of the Year and graced the stage wearing the iconic women’s suffragette colour we have seen a lot ( especially since Trump was elected president in 2016). But, you know, with a very Queen Bey twist.
Instead of the typical trousers and suit jacket combo, Bey donned a uniquely tailored, Balmain Spring 2019 couture suit gown with lots of thigh showing. She completed the look with a large white hat and drop earrings by Lorraine Schwartz.
As always, Bey’s suit gown – and the expertly composed Instagram photos of it – left us shook. Even Jay-Z was completely mesmerised. During his acceptance speech for the NAACP's President's Award, the rapper shouted out his wife and her incredible fashion sense.
“I’d like to dedicate this award to the beautiful woman in my life. Just because of the white suit,” the rapper said, while the camera panned to Beyoncé, beaming and laughing.
She was on theme — Viola Davis presented the singer with the award also wearing a white suit.
Lori Loughlin has had a rough couple of weeks. Yet, she’s still found time to work out and give a polite statement to the paparazzi.
The former Fuller House actor was spotted by TMZ leaving a yoga class in Brentwood, Los Angeles on Saturday. When asked about the case by the cameraman, Loughlin gave a nice, but firm brush off – her first public statement since news of the college admissions scandal broke.
“I’m sorry I can’t talk to you,” she said. “You can follow me around all day, but I just can’t comment right now. But thank you for your time.”
The cameraman continued to press the issue, asking Loughlin if she was afraid of going to prison. Loughlin continued to search for her keys, ignoring him. That is, until he wished her well, a sentiment which she returned before getting into her car.
Loughlin and her husband, Mossimo Giannulli, are among 33 parents who have been accused of bribing their children’s way into college with the assistance of William Singer. Former Desperate Housewives actress Felicity Huffman, who has also been arrested and charged in connection with the scandal, was spotted out and about this weekend with her daughter, Georgia Macy, by TMZ too.
Both actors and their families have been laying low over the last few weeks, though both are set to appear in court this coming week, according to tweets from the U.S. Attorney’s Office for the District of Massachusetts.
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Not long ago, I lost my filler virginity, which is something I didn’t imagine happening for at least another decade (or until my collagen levels had depleted beyond repair). Despite being able to deadlift more than my body weight, I've always had what is unfortunately known as a 'weak chin'. Sadly, facial features can’t be altered by any form of strength training, so after lots of thought and even more research, I decided to embark on my dermal filler journey.
My offending former chin was small and, in my opinion, not in proportion with my other features. This made me feel like my face was constantly unbalanced. Thanks to my large, Tyra Banks-esque forehead and plump lips, my absent chin meant I really disliked my side profile. Friends and family thought I was crazy for looking into filler and changing such a prominent feature, but I couldn’t wait to see how my newly proportioned face would make me look and feel.
Although fillers were originally used to fill lines, thanks to innovative techniques doctors can now sculpt the face and enhance features like never before. A few years ago, the only option for altering something like your chin was an implant, which is far more invasive. It's also difficult to sculpt to suit the rest of the features of the face. That said, we’ve all read the filler horror stories and I didn't want to have a pillow face. I wanted my new chin to be undetectable to others while noticeably improved to me. This was the next level up from my no-makeup makeup look and I was ready. Here's everything I learned on my journey...
Literally anyone can inject filler, so it pays to find a trusted pro
You only need to scroll through Instagram for a few minutes to see hundreds of beauty salons offering fillers and Botox at low prices, often from practitioners with no medical background. You might ask, what's the worst that can happen? Well, actually, quite a lot. In the wrong hands there is a significantly higher risk of infection, scarring and tissue damage. The absolute number one priority before having any aesthetic injection is finding a medically trained and trusted practitioner. In the UK this can be challenging due to shocking regulatory laws, whereby injectable fillers are classed as 'devices' rather than drugs. This means a non-medically trained individual can legally set up shop and start injecting. After lots of deliberation, I settled on SKNDOCTOR aka Dr Ewoma Ukeleghe.
Once in the room, I sipped some water to calm my nerves. As I lay down on a plush version of a dentist chair, my jitters were immediately eased. Dr Ewoma calmed me down and reassured me during a thorough consultation. Medical credentials aside, the bedside manner of your doctor plays a crucial but often overlooked role. You will be highlighting your aesthetic insecurities and it is imperative you are in a safe environment, and feel assured that your doctor shares your vision and values.
Ask questions and make sure you understand every step
Dr Ewoma made a concerted effort to tell me she would be using Restylane to construct my new chin, which, according to the pros, is a well trusted and researched brand of filler. Most fillers are made from hyaluronic acid and while abundantly found in skincare and touted as a saviour for dehydrated skin, it is also naturally produced in our bodies.
It doesn't hurt, but it does feel a bit strange
With the numbing cream in full effect, I mentally prepared myself for the imminent "sharp scratch" and felt nothing more than a strange pressure as the gel was gently injected. After every tiny adjustment, the doctor stepped back and evaluated the changes on my face before continuing.
The amount of filler you need is dependent on the area
The amount of filler needed takes into consideration the starting point and the desired effect, but it is always better to be conservative. Like blusher, it’s always easier to add rather than remove! Fifteen minutes and 2ml of filler later and my chin was complete. "It looks banging!" I announced as I gushed over it in the mirror. A longstanding insecurity had instantly disappeared.
You'll need top-ups
The filler is meant to last 9-12 months, which is the time it takes for your body to metabolise it, according to Dr Ewoma. I wasn’t advised to return for a check-up, however, Dr Ewoma did insist I return straightaway if I had an adverse reaction, as it could be a sign of vascular occlusion caused by injecting a blood vessel. Ouch.
Factor in aftercare
Dr Ewoma advised me not to touch or apply too much pressure during the healing process to allow the swelling to go down and not to displace the filler. I had mild bruising by day two, but this subsided after three or four days. A month on and with my elongated chin now fully settled, it’s undoubtedly the best treatment I’ve ever had.
No one noticed
Thankfully, nobody noticed until I told them. I find myself whipping out my phone to show people a montage of before and after pics. In photos, the difference is impressive but I’m happy that no one can see a difference in real life until I let them know. I wanted a subtle tweak and that's exactly what I got.
Do it for you
Was I full of self-loathing with my stubbier chin? Absolutely not! I liked my old chin but the 2.0 version makes me feel more confident, which, ultimately, should be the motivation for having any procedure. In the words of Felicity Hayward, "self-love brings beauty," and in the face of our ever-evolving and often unobtainable beauty standards, it’s a mantra worth remembering. New chin, new me? Probably not. But I’m more confident and my chin really does look banging!
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We like to think we know Adnan Syed. He’s known the world over as the man who was jailed for the murder of ex-girlfriend Hae Min Lee at the age of 17, despite huge gaps in the evidence that was used to put him there. In the years since Serial, the podcast that catapulted the case to stratospheric recognition, fans and conspirators have turned keyboard detectives, unearthing information that hadn’t been discovered before. Millions followed in real time as his case teetered around the promise of retrial.
Many of us feel like we know all about Adnan Syed and how he wound up serving a prison sentence. So how, then, would you go about producing a documentary about one of the most famous murder cases in recent history? You turn away from the trend of the true crime shows before it and tell the victim, Hae Min’s side of the story, too.
"Often in true crime, the victim gets lost in the storytelling because we’re just analysing the case and we’re so intoxicated by that," Amy Berg, director of Sky and HBO’s new documentary series The Case Against Adnan Syed, tells Refinery29. "I wanted to make sure that this film gave proper life and breath for Hae's character and journey."
The documentary is as intricately layered as the testimonies that make up the case itself. Among the clips from the courtroom where Adnan was tried back in 2000, newspaper clippings, interviews with a range of witnesses and the police who investigated the murder 20 years ago, is content from Hae's diary. Illustrations accompany narration lifted straight from the words she wrote in the months before her death and it’s probably the most intimate, personable insight we’re likely to be given into who this young woman was.
Amy knew that this was going to be central to how she framed the documentary before she started. Where did the inspiration come from? "I’d seen The Diary of a Teenage Girl recently," Amy explains. "I loved that world of the teenage girl and I feel that told us so many things about her in such subtle visuals and so I worked with the woman who did that film on the animations and it was great. It was very important."
One of the most interesting (and perhaps disarming) things about how society's fascination with true crime operates is that, despite knowing that these sorts of cases happen the world over at a depressingly high frequency, we have a habit of compulsively zooming in on a select few. When asked why Hae Min and Adnan Syed's story captured and retained such attention, Amy thinks it’s all to do with the high school aspect. "I think it’s just the time when kids are supposed to be growing and dreaming and having steps towards their future and this case, all these different people had this traumatic experience happen to one of their friends and it stuck with them – that’s not what’s supposed to happen at high school," she says.
There are other wildly curious interests too, of course. Namely that there’s a huge question around Adnan’s innocence and an even bigger one around the forces that determined his guilt. "All the different blends of storylines are so strange and unique," Amy adds. "I think Baltimore is such an interesting community and place to dig in … and just, you know, the interracial dynamics, the corrupt police department. Baltimore PD is known for Freddie Gray [the 25-year-old black man who died while in police custody] and The Wire and all these different stories that tell us what is really going on down there. It’s a difficult place, so I think this story just kind of resonates for a lot of people."
The resonance goes deeper than many of us could even imagine for Hae’s family, who have historically distanced themselves from the public narrative of their daughter’s death and Adnan’s arrest – a consideration that doesn’t go overlooked. "Hae was an 18-year-old girl when she went missing and her whole life was her school community and there was just so much there to grasp. As much as I totally understand why her parents, why her mother wouldn’t want to be involved in the story, I imagine it must be traumatic for this story to come out in any way – in a podcast, a film, a news story – I’m sure it’s very traumatic for them because they feel that justice was done in 1999 but if it wasn’t, then there’s another family that is suffering right now and that is on the state."
Those familiar with the case will already be well versed in its discrepancies. The phone records weren't as airtight as they should've been before being lent on to guide the state's case against Adnan, for example. "The state should’ve done a better job of the original trial so we don’t have any questions," Amy adds. "They could’ve easily requested to get Hae’s pager records, to get the security footage from the Best Buy, there are things they could’ve done to corroborate Jay’s story which has changed so many times and so with all those changes you wonder why and how – how difficult is it to remember where you saw the body if it was such a traumatic episode? And why are there five different spots of where he saw it? So many different things don’t make sense."
Amy's documentary takes the case even further than where the podcast left off. More witnesses were spoken to, the production team's investigation uncovered some things that could help Adnan's case and the big picture surrounding it, and Amy is already receiving emails with tips and further information about what really happened to Hae Min all those years ago. For better or worse, the story hasn't come to a conclusion yet. "We’re getting a lot of tips and a lot of new information coming in now since the first episode aired, so I guess we’ll have to follow up on all of that."
The Case Against Adnan Syed box set is available from 1st April on NOW TV
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There's a lot to love about spring: Easter chocolate, the long Bank Holiday weekend and, of course, new season fashion.
Along with the sun come thoughts of the perfect spring dress – whether sporting puffy sleeves, square necklines, pastel hues, pretty prints or gingham.
Comfort is also key this season as team Refinery29 considers how to look and feel cool (in the literal sense) on their stuffy morning commutes. From classic Nike Air Force Ones to chunky, turbo-charged sneakers, trainers are on everyone's wish list this month, while our accessory choices are eclectic, kitsch and fun.
Click ahead to see everything we're buying to celebrate spring...
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I am a huge fan of a city break. I'm always amazed that a couple of hours on a flight from London can land you in a different city, country and culture. And then manage to be back in the office for Monday with all those memories and experiences under your belt. It’s something I always love to make the most of, meaning I have now lost count of how many two-night stints I have spent in various European cities. But one place I had never ventured to was Marrakech. After waking up in London and having a coffee in the rain, I grabbed my chic Horizn Studios suitcase and in just a few hours I was lunching on a rooftop in a place unlike anywhere I have experienced before. It’s a culture shock in the best possible way.
Either side of a good night’s sleep in a beautiful riad, there is so much to do in such a short space of time, starting with the souks on the morning of my first day there. For many, the souks are what first spring to mind when thinking of Marrakech – I know they were for me – but they still took me by surprise. They are warren-like, with row after row of stalls and shops selling the dreamiest homeware (I left with a rug), Phoebe Philo-worthy shoes, mouthwatering food, and so much more I simply cannot list it all. You could spend hours getting lost (quite literally) in there, leaving with an entirely new interiors vision for your home and an unprecedented craving for olives.
Armed with quite the appetite and a wish list as long as my arm, the next logical step was lunch at the impeccably designed Nomad. This was the aforementioned rooftop spot that made me pinch myself as I gazed out across the city. It’s an amazing way to take in Marrakech while enjoying some delicious Moroccan food.
From there I took a short walk to Le Jardin Secret, which was one of my favourite stops of the entire trip. Similarly to the riads, it amazed me that something so calm was just tucked away from the souks outside. The huge gardens are full of lush greenery, with little spots to sit down, eat a light lunch or drink some fresh mint tea. It’s the perfect setting to stop for half an hour to catch your breath and feel the contrasting calm aspects of the city.
I managed a little dip into something cultural, too, and got two museums under my belt while I was there: Musée de la Femme and Maison de la Photographie. The former consisted of a few rooms showcasing the craft and work of the women of Marrakech – a mix of painting, sculptures and tapestry, I saw a lot of varied work in a short space of time. Less varied, but just as interesting, was the Maison de la Photographie. As the title would suggest, this focused on photography, which is very much up my street. The gallery itself was gorgeous too, with a light-flooded atrium draped in white sheets; there was a lot more to enjoy than just the photos on display.
Day two began with breakfast, as any busy day should, this time on the communal rooftop at Riad Jaaneman, and it’s safe to say that watching a pastel sunrise while drinking coffee is the perfect way to start any day. Suitably caffeinated, I headed to Les Jardins de La Koutoubia for a little walk; it’s well worth a visit alongside Le Jardin Secret, as they have a very different feel from one another. Both incredibly lush and green, Les Jardins de La Koutoubia are grander and far more open. The food in Marrakech was delicious so I made a habit of eating at any given opportunity, this time at La Famille, a vegetarian spot in a gorgeous garden. It was a good break from traditional Moroccan cuisine, and there is something very nice indeed about enjoying a salad and mint tea in a sun-dappled garden! Now, while I am a huge city break fan, they don't tend to make for a relaxing trip, but I managed to fit in some downtime nonetheless. At the Farnatchi Spa, a monochrome-tiled entrance leads through to various treatment rooms. It's hard to prise yourself away after a massage, but it makes for the perfect parting moment before packing my Horizn suitcase to leave Marrakech and head to the airport. Which, sadly, it was time for me to do, via the souks one last time to soak up the intoxicating atmosphere of this incredible city.
Update: With less than a month until Game of Thrones returns for its final season, Urban Decay prepares to launch its official collection in collaboration with the series to honour its swan song. Unfortunately, this doesn't mean you can now buy dragon eggs in Sephora, but it does mean that, as of April 14, you can buy an eyeshadow palette, highlighter trio, lip and cheek tint, eyeliners, and lipsticks inspired by the women of Westeros you've come to root for — and some you've come to root against (we're looking at you, Cersei).
Check out the full collection, ahead.
This story was originally published on February 22, 2019.
For seven seasons of Game of Thrones, we've heard the same exact warning repeated over and over again by the hottest bastard in Winterfell, Jon Snow: "Winter is coming." But if there's one thing we learned from his late lover Ygritte, it's that Snow knows nothing, and it's not just a long night that's been approaching all this time — it's a makeup collection, too.
In an Instagram shared earlier this morning, Urban Decay announced its official collaboration with the HBO series in the form of Westerosi-inspired beauty products. The post didn't give away much, but it did showcase an intense fire-and-ice makeup look, teasing what we anticipate will be a seriously dramatic lineup of eye and lip colours... because Game of Thrones is nothing if not dramatic.
Urban Decay tells Refinery29 that the collection will be all about the Seven Kingdoms, as well as the strong women who make up the main cast of the show — which at this point boils down to Daenerys Targaryen, Sansa Stark, and Cersei Lannister. (And Arya, but she's not really the metallic blue eyeshadow type.) Details on the actual products are scarce, but we do know they'll launch in April, the same month the show's eighth and final season is set to air.
This isn't the first time a color-cosmetics collection has been inspired by the show — both Storybook Cosmetics and Wet n Wild created subtle, unlicensed winks to the series and its characters in the past — but this is the first one created in collaboration with HBO, so you know it's legit. All we need now is Daenerys Targaryen's skin-care routine, and we won't be quite as bitter about our Sunday nights opening up for the first time in a decade.
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Over weekend, Stevie Nicks was be inducted into the Rock & Roll Hall of Fame. She becames the first woman to have the honour twice (following 22 men who have been double-inducted) — her first induction came as a member of Fleetwood Mac in 1998. This time, it’s about her solo career and individual contributions.
There’s a picture of Stevie Nicks hanging on my living room wall that I’ve had since I was a little girl in the ‘80s. It means a lot to me because it was taken by a beloved, late friend of the family at one of her Houston concerts, long before I was old enough to go to a concert. He knew I was a fan, even when I was a wee one, and blew the photo up and framed it for me. I’ve kept it all these years; it’s probably my oldest piece of music memorabilia — and one of my most treasured.
Nicks has always loomed large in my life; Fleetwood Mac’s landmark, multi-million selling 1977 album Rumours defined ‘70s rock and was released the year I was born. It is one of the best-selling albums of all time with an epic backstory that dominated music culture for multiple generations: Nicks broke up with guitarist Lindsey Buckingham while Christine and John McVie were divorcing, Mick Fleetwood divorced his own wife and had a subsequent brief romance with Nicks; they all wrote mean songs about each other and great songs about falling in love with other people. So, of course, I’ve been listening to Rumours all my life. It was always the songs by Nicks that were my favourites; there was never enough of her on the band’s albums, with songs evenly split between all the prolific songwriters in the group. It was after “Silver Springs” was dropped from the album for length and god knows what other reasons that the seed was planted: Stevie Nicks was going to have to work on her own projects at some point. She broke out on her own a few years later.
With her 1981 solo debut, Bella Donna, Nicks was flourishing. Working with producer (and future music industry titan and another of her paramours) Jimmy Iovine, she stepped out with an iconic duet, “Stop Draggin’ My Heart Around,” with Tom Petty & the Heartbreakers. It was a radio smash and probably the only song of Petty career where the best thing he could do was get out of the way. The video was obsession-worthy: Nicks and Petty facing each other and singing, Nicks with those curly Russian Doll bangs we’re all obsessed with anew in drop feather earrings and what was, by then, her standard outfit: a black dress with sheer panels and skirts that hit the floor. It was like, after years of feuding with her ex-boyfriend and bandmate Buckingham, she finally wrote the parts for both of them: she got to burn him with lines like “this doesn’t have to be the big get even / this doesn’t have to be anything at all” while his proxy, Petty, could only say, “I know you really wanna tell me goodbye / I know you really wanna be your own girl.” It sounded like vindication — and freedom. In that moment, who didn’t want to be Stevie Nicks? Buckingham also released a solo album, that came out three months after Bella Donna. And, well, let’s just say that only one of them is a double-inductee to the Rock Hall.
There was also the Don Henley duet on “Leather and Lace” that is a song I didn’t appreciate until much later in life. But the sheer balls to leave your songwriting and romantic partner behind and then drop two singles with other men is something else. Don’t ever kid yourself that Nicks/Buckingham was, or is, less than a heated competition — that Nicks soundly won. One of the album’s other singles, “Edge of Seventeen” would become one of Nicks signature songs, along with “If Anyone Falls” and the synth-driven dance track “Stand Back” from her 1983 album The Wild Heart. Those were her most modern songs, the ones that pop radio embraced (the latter was a response to Prince’s “Little Red Corvette” that he ended up adding keyboard parts to — NBD, just one of the biggest artists in the world dropping in to collaborate). The trifecta of songs makes a weird juxtaposition to her 1982 hop back into Fleetwood Mac for Mirage, on which she wrote and recorded “Gypsy.” Their hard-driving synths and rock guitars were nothing like what the Mac did, and gave us full raspy-voiced Nicks, while “Gypsy” was the slow velvet ballads she’d long made her signature. Whatever flavour of Nicks might be your favourite, her voice and style were inescapable from 1977 to 1984. This era of Nicks influenced so many artists, from Lana Del Rey to Jenny Lewis to Destiny's Child to Shania Twain.
Nicks got heavily involved with cocaine and lost the plot a bit musically until she dropped “Rooms on Fire” in 1989. It’s a song inspired by dopamine, that shot of pleasure your brain sends when you’re newly in love and get a thrill from your paramour (in this case, producer Rupert Hine) that’s wrapped up in her particular sort of poetry meets magic aesthetic.
Nicks, along with Fleetwood Mac, fell out of favour as the ‘80s marched on. It was deeply uncool to like Fleetwood Mac. The punk that followed made “bloated ‘70s rock” like Rumours a guilty pleasure for a solid decade. As the ‘90s dawned, Wayne’s World made fun of it, condemning it to be a relic of uncool, suburban Boomer taste. But Stevie Nicks got the redemption she deserved with one live performance when Fleetwood Mac reunited with their core ‘70s lineup behind a live album and concert film after a decade of being broken up and bitter public battles. When the band performed 1997’s The Dance, a co-sign to Nicks’ songs had been given by Oscar-era Courtney Love, who had released her own take on “Gold Dust Woman” in an attempt to align herself with Nicks’ energy and nearly lost her shit at the taping (an I would have done the same). That album, along with the resurrection Nicks’ long-lost “Silver Springs,” shot them into a renaissance period.
If you’ve never seen someone crush a soul with music before, it’s exactly what happens when Nicks sings “Silver Springs.” After the first chorus, she starts staring down Buckingham, who the song was written about, and the way she leans in and makes eye contact when she later sings, “You’ll never get away from the sound of the woman that loves you” is enough to make your blood run cold. She then drags her mic towards him while putting her full weight into singing, “Was I just a fool?” and Buckingham, who knows there’s no getting out of this now, looks almost captivated by her performance. Twenty years later and those two were still working their shit out in the most dramatic and public ways possible.
Better known for candy-coloured faux fur and kicking off the beaded bag trend that dominated last year (the brand's gorgeous Antonia bag was the OG ornate plus-one), cult label Shrimps is collaborating with high street mainstay Warehouse, and the result is a dreamy spring-perfect capsule.
Inspired by long, lazy days on the Italian coast, the 40-piece collection is Shrimps' founder Hannah Weiland's love letter to the Riviera – complete with '50s nipped-in silhouettes in acid green gingham, and retro square-necked sundresses.
While Weiland explores new territory – offering hats, sandals, jewellery and swimwear for the first time – she continues to play with texture, where she was a leader long before the masses got on board with faux fur.
Standout pieces such as raffia bags embellished with diamanté daisies, seersucker swimsuits and broderie anglaise co-ords have us sorely tempted to book a long weekend in the Italian sun. With the collection starting at £15, everyone can nab a slice of Weiland's stellar design – but you'll have to beat us to it.
Warehouse x Shrimps Holiday Edit will be available in selected Warehouse stores and online from mid-April.
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Remember Corbynmania? The memes, merch, reality TV appearances, gushing admiration from Stormzy, JME and other celebrities, and who could forget the spontaneous eruptions of "Oooooh, Jeremy Corbyn" at festivals and football matches. New mothers were even (apparently) naming their babies after the Labour leader. The height of Corbynmania in 2017 – which may not have actually resulted in the electoral youthquake that was widely reported at the time – was monumental for many left-wing young people. Still reeling as they were from the Lib Dems' betrayal over university tuition fees, many genuinely believed that, finally, Corbyn was the man to give voice to their desire for a more equitable future. Just as Bernie Sanders had done for a time in the US, a cardigan-wearing, sixtysomething, vegetarian backbench MP had made socialism cool in the UK.
But if a week is a long time in politics, two years is an eternity, and the shine has worn off Jeremy Corbyn for many young voters. They overwhelmingly backed Remain in the EU referendum (around 75% according to estimates), and between Corbyn's wishy-washy stance on Brexit and his non-handling of anti-Semitism within the Labour party, many feel let down, angry and betrayed by the Labour leader, and some have quit the party as a result. Labour (and Jez himself) saw the biggest drop in support among young people than any demographic group in 2018, according to a YouGov poll in December last year, while a poll in January this year found that just 23% of 18- to 34-year-olds approved of his handling of Brexit. Ahead, five young broadly Labour-supporting women explain why they've turned their backs on Jeremy Corbyn.
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Celebrity magician David Blaine is under investigation by NYPD for sexual assault, the Daily Beast reports. Two women gave statements to the Special Victims Unit, with one claiming that Blaine sexually assaulted her inside his NYC apartment in 1998.
"The NYPD takes sexual assault and rape cases extremely seriously and urges anyone who has been a victim to file a report so we can perform a comprehensive investigation, and offer support and services to survivors," Detective Denise Moroney said in a statement to Refinery29.
In 2017, Natasha Prince accused Blaine of rape. Prince, who is a former model, alleged that Blaine raped her in the summer of 2004 when she was 21 years old in an interview with the Daily Beast. After investigating her claim, Scotland Yard did not take action.
The NYPD has not charged Blaine in relation to the two claims. The representatives for Blaine did not immediately respond to request for comment.
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Remember, every outfit ahead can be amended with more or less clothing. Because until the weather wants to cooperate, we'll figure out a way to make it work for ourselves — and our style.
Click through for the 30 transition looks we can't wait to copy this spring.
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